Swing Music

I first heard of Don Redman when I saw a Betty Boop cartoon which featured his band and his vocals, and he has been a favorite of mine ever since. No expert on Jazz, I immediately picked up the "Duke Ellington" sound of his music, so it was no surprise to find out later that he was Ellington's aranger.

I like Redman's stuff better, maybe because I always thought that Ellington's was a little too smooth and polished.

The best songs on this disc are "Chant of the Weed", "I Heard", "How'm I Doin'?", all of which were featured in that Betty Boop cartoon (which was titled "I Heard" and was and is a classic of animation). Redman had a great voice for this type of music. I wouldn't say he was a great singer, or any kind of singer at all; he mostly spoke the lyrics in a kind of a sly, humorous tone that fit perfectly with the sound of the band and the mood of the words.

The weaker selections (there are a few, which is why I only give 4 stars) featured different vocalists who seemed to be imitating Bing Crosby (and sounding more like Russ Columbo). They aren't bad, but not as good as the instrumentals or the Redman vocals.

Again, I'm, no jazz expert, but this CD is probably the most listened to jazz record I have. I believe it was one of a series, and I have the follow up record, which is just as good. I don't have the third. Since it is a "complete" set of the artist's work, it's understandable that a few weaker sides are on it. I put about 17-18 songs from this on my ipod, and the selection is probably better than the whole disc. Still, I would consider this a must for any jazz fan, or fan of the music of the 20s and 30s.

Don Redman was one of the great jazz arrangers of all time and this CD has some wonderful songs.

The highlights of this 24 selection disc are "Shakin' The African," "Chant Of The Weed," "I Heard," "You Gave Me Everything But Love," "Doin' What I Please," "Nagasaki," "Doin' The New Low-Down" (both versions) and the medley of "Shuffle Your Feet/Bandanna Babies."

"You Gave Me Everything But Love" is a classic sung by Harlan Lattimore, whose voice is incredible on this number...five stars for this song.

The take of "Doin' The New Low-Down" with Bojangles Robinson is lively and cheerful and, if you close you eyes, you can "see" Mr. Bojangles tapping away. In simple terms...GREAT!

The "Shuffle Your Feet/Bandanna Babies" medley is superior, too, with Harry and Donald Mills supplying wonderful vocals.

There are a few weak spots...but the highlights mentioned are well worth the purchase price...JMB

Of the three CD's in the classics series this 1931-1933 is the main one to get, though they are all enjoyable. Don Redmen who had previously been leading the great and very hot band "McKinney's Cotton Pickers." Though his own band not as popular as "McKinney's Cotton Pickers" is innovative and ahaead of it's time, because of Redman's fresh arrangements. A great "Chant Of The Weed" which shows off Redman's arranging skills. Overall this CD is a gem, and jazz collectors who don't have this material are recommended to pick this CD up. Also get on the classics series "Mickinney's Cotton Pickers 1928-1929", which Redman appears on, a very hot group.

I first heard of Don Redman when I saw a Betty Boop cartoon which featured his band and his vocals, and he has been a favorite of mine ever since. No expert on Jazz, I immediately picked up the "Duke Ellington" sound of his music, so it was no surprise to find out later that he was Ellington's aranger.

I like Redman's stuff better, maybe because I always thought that Ellington's was a little too smooth and polished.

The best songs on this disc are "Chant of the Weed", "I Heard", "How'm I Doin'?", all of which were featured in that Betty Boop cartoon (which was titled "I Heard" and was and is a classic of animation). Redman had a great voice for this type of music. I wouldn't say he was a great singer, or any kind of singer at all; he mostly spoke the lyrics in a kind of a sly, humorous tone that fit perfectly with the sound of the band and the mood of the words.

The weaker selections (there are a few, which is why I only give 4 stars) featured different vocalists who seemed to be imitating Bing Crosby (and sounding more like Russ Columbo). They aren't bad, but not as good as the instrumentals or the Redman vocals.

Again, I'm, no jazz expert, but this CD is probably the most listened to jazz record I have. I believe it was one of a series, and I have the follow up record, which is just as good. I don't have the third. Since it is a "complete" set of the artist's work, it's understandable that a few weaker sides are on it. I put about 17-18 songs from this on my ipod, and the selection is probably better than the whole disc. Still, I would consider this a must for any jazz fan, or fan of the music of the 20s and 30s.

Don Redman was one of the great jazz arrangers of all time and this CD has some wonderful songs.

The highlights of this 24 selection disc are "Shakin' The African," "Chant Of The Weed," "I Heard," "You Gave Me Everything But Love," "Doin' What I Please," "Nagasaki," "Doin' The New Low-Down" (both versions) and the medley of "Shuffle Your Feet/Bandanna Babies."

"You Gave Me Everything But Love" is a classic sung by Harlan Lattimore, whose voice is incredible on this number...five stars for this song.

The take of "Doin' The New Low-Down" with Bojangles Robinson is lively and cheerful and, if you close you eyes, you can "see" Mr. Bojangles tapping away. In simple terms...GREAT!

The "Shuffle Your Feet/Bandanna Babies" medley is superior, too, with Harry and Donald Mills supplying wonderful vocals.

There are a few weak spots...but the highlights mentioned are well worth the purchase price...JMB

Of the three CD's in the classics series this 1931-1933 is the main one to get, though they are all enjoyable. Don Redmen who had previously been leading the great and very hot band "McKinney's Cotton Pickers." Though his own band not as popular as "McKinney's Cotton Pickers" is innovative and ahaead of it's time, because of Redman's fresh arrangements. A great "Chant Of The Weed" which shows off Redman's arranging skills. Overall this CD is a gem, and jazz collectors who don't have this material are recommended to pick this CD up. Also get on the classics series "Mickinney's Cotton Pickers 1928-1929", which Redman appears on, a very hot group.

This volume, gathering music from the years of Ethel Water's greatest commercial success, features her working with some of the top talent of the day, from Duke Ellington and Bunny Berigan to up-and-coming white swingsters like Benny Goodman and the Dorsey Brothers (who were still working mainly as session players...) Although she hits some sweet grooves on several songs, for the most part Waters sounds mannered and intentionally camp on most tracks, with plenty of odd vocal swoops and exaggerated, haughty-taughty enunciation. She covers a lot of great songs of the day, such as "I Can't Give You Anything But Love," "Stormy Weather" and an early version of "Heat Wave." But generally speaking, she doesn't exactly cut loose on the material the way other singers would. Humorous classy/crude contrasts were her schtick, but sound pretty dated now. Unless you're in the mood for kitschy, antiquated performances and old-fashioned Gramophone ambience, this disc may be hard to get into. Her jibes at Mae West in the break of "Come Up And See Me Sometime" are pretty funny, though.

This volume, gathering music from the years of Ethel Water's greatest commercial success, features her working with some of the top talent of the day, from Duke Ellington and Bunny Berigan to up-and-coming white swingsters like Benny Goodman and the Dorsey Brothers (who were still working mainly as session players...) Although she hits some sweet grooves on several songs, for the most part Waters sounds mannered and intentionally camp on most tracks, with plenty of odd vocal swoops and exaggerated, haughty-taughty enunciation. She covers a lot of great songs of the day, such as "I Can't Give You Anything But Love," "Stormy Weather" and an early version of "Heat Wave." But generally speaking, she doesn't exactly cut loose on the material the way other singers would. Humorous classy/crude contrasts were her schtick, but sound pretty dated now. Unless you're in the mood for kitschy, antiquated performances and old-fashioned Gramophone ambience, this disc may be hard to get into. Her jibes at Mae West in the break of "Come Up And See Me Sometime" are pretty funny, though.

This 2-CD set has been compiled by reference to Goodman's recordings during the period 1931-1935, beginning with his participation in the final Charleston Chasers session. The 1931 Melotone sessions are skipped, and we rejoin him leading a studio band for Columbia, the two October sessions of which produced the four famous Teagarden vocals. They were followed by Billie Holiday's two debut recordings, and the following session has vocals by Mildred Bailey.

The recordings continue chronologically, and conclude in February 1935, including en route several alternate and unissued takes. These sessions were relatively sparse, given what was to follow, and Goodman was less to the fore. Indeed, one is more aware on the earlier sides of the magisterial presence of Big T, whilst the combination of Dick McDonough, Artie Bernstein, and Gene Krupa propel things along irresistibly.

One of the drawbacks of a comprehensive set like this is that the quality of the material is inconsistent. Yet there are some fine recordings here; apart from those mentioned other highlights include Moon Glow, Stars Fell On Alabama, Solitude, I'm Getting Sentimental Over You, and Cokey. There's also the pleasure of hearing Helen Ward kick off her stay with Goodman with I'm A Hundred Percent For You.

The set is well packaged and includes a glossy illustrated booklet with liner notes by Tony Russell, and a full discography.