Latin Jazz Music

Try to "bite" this cd and let me know what you think about it! Jaws is universally considered a very good tenor from the sixties in the mainstream category. But I think he is really underrated. Very good is not enough. He was huge! This cd is a geat album and if you'll buy it you'll thank me. This is a "latin", "afro-cuban" project, you can easily understand it reading the line up. Ray Barretto is involved with his full percussion section. There's a lot of drive. The opener is a wild minor blues in c where "Afro-jazz" the closing number is another wild blues but major this time. "Guanco lament", "Jazz-a-samba" and "Alma alegre" are originals by Gil Lopez, then we have two standards "Star eyes" which begins slow and gain speed after the first chorus and "Tin tin deo" from Dizzie Gillespie's songbook. Even if nothing in the Jaws's background link him with this kind of "cuban" material he plays here with great attitude. He's simply always interesting. "Afro jaws" is an extremely good album. Buy it and go deep in it with your teeth.

Try to "bite" this cd and let me know what you think about it! Jaws is universally considered a very good tenor from the sixties in the mainstream category. But I think he is really underrated. Very good is not enough. He was huge! This cd is a geat album and if you'll buy it you'll thank me. This is a "latin", "afro-cuban" project, you can easily understand it reading the line up. Ray Barretto is involved with his full percussion section. There's a lot of drive. The opener is a wild minor blues in c where "Afro-jazz" the closing number is another wild blues but major this time. "Guanco lament", "Jazz-a-samba" and "Alma alegre" are originals by Gil Lopez, then we have two standards "Star eyes" which begins slow and gain speed after the first chorus and "Tin tin deo" from Dizzie Gillespie's songbook. Even if nothing in the Jaws's background link him with this kind of "cuban" material he plays here with great attitude. He's simply always interesting. "Afro jaws" is an extremely good album. Buy it and go deep in it with your teeth.

Try to "bite" this cd and let me know what you think about it! Jaws is universally considered a very good tenor from the sixties in the mainstream category. But I think he is really underrated. Very good is not enough. He was huge! This cd is a geat album and if you'll buy it you'll thank me. This is a "latin", "afro-cuban" project, you can easily understand it reading the line up. Ray Barretto is involved with his full percussion section. There's a lot of drive. The opener is a wild minor blues in c where "Afro-jazz" the closing number is another wild blues but major this time. "Guanco lament", "Jazz-a-samba" and "Alma alegre" are originals by Gil Lopez, then we have two standards "Star eyes" which begins slow and gain speed after the first chorus and "Tin tin deo" from Dizzie Gillespie's songbook. Even if nothing in the Jaws's background link him with this kind of "cuban" material he plays here with great attitude. He's simply always interesting. "Afro jaws" is an extremely good album. Buy it and go deep in it with your teeth.

These supposed Prestige recordings from lp's in the mid fiftiesare poor in ywo ways:the first 8 selections have absolutely nothing to do with Afro Cuban rhythms, the sound "quality" is hideous, the final selections do have Latin beats but the sound quality still is vaugely passable. Liner notes are pathetic. See if you can find the great Afro Cuban lp by CBS records in a second hand store titled Big Boss Mann. Or, grab the Verve cd Flautista.

very smooth and great cuban jazz feeling....my father played this for me yesterday and i borrowed it to listen more to it.....it is a very relaxing album with some intense playing but mostly smooth african jazz music......the title track is probably the best and sometimes reminds me of the black saint and the sinner lady

These supposed Prestige recordings from lp's in the mid fiftiesare poor in ywo ways:the first 8 selections have absolutely nothing to do with Afro Cuban rhythms, the sound "quality" is hideous, the final selections do have Latin beats but the sound quality still is vaugely passable. Liner notes are pathetic. See if you can find the great Afro Cuban lp by CBS records in a second hand store titled Big Boss Mann. Or, grab the Verve cd Flautista.

very smooth and great cuban jazz feeling....my father played this for me yesterday and i borrowed it to listen more to it.....it is a very relaxing album with some intense playing but mostly smooth african jazz music......the title track is probably the best and sometimes reminds me of the black saint and the sinner lady

one of 3 cd's of my very first amazon purchase, it deserves a review (and an enthusiastic one, at that).
i have many mongo's albums and on some (our man in havana and from the roots, for example) the great don ramon explore his afro-cuban heritage for about twenty minutes (an lp side) and then moves to his trademark afro-cuban jazz more palatable to internation ears.
but here you have about 80 minutes of pure roots and culture: bembes, rumbas et al at the very best.
no drummer (and serious music lover) should be without this gem in his/her collection.
mongo still reigns supreme!

This is a great CD that showcases some different styles of Afro-Cuban music. This is the African roots of Cuban music and the foundations that Latin Jazz is built on. Mongo Santamaria is a master percussionist and his playing will move you, it will move you physically and stir your soul!

Well to be honest this cd wasn't what I thought it was going to be when I purchased it. I was looking for something mello, with cool jazzy sounds, like Mongo's other stuff, to my suprise this cd gave me a trip to AFRICA. It was filled with beautiful dropplets of all kinds of drums, "AFRO BLUE" blew me away, that song is my favorite hands down. I would encourage anyone to buy this cd, who's into congos and a sweet trip to AFRICA.

I was so glad to see this CD available that I had to buy it. To me he was and still is the best conga player of all times. I had the pleasure to meet him in person back in 1980 at the Miami Metro Zoo Jazz concert, and was able to get from him his autograph. I still have it with some pictures that were taken during the concert.
I have the original vinyl (1970) double album. However, apparently who ever made the recording did not include one of the best sons that is in the vinyl double album, and that is: "Mi Guaguanco" an excellent recording of the traditional Afro- Cuban sound that was left out because of budget and time availability; come on give me a break! That is a sorry ass excuse. I would have preferred to eliminate the Mazacote song instead. After all Mazacote is included in other albums too! My opinion is that if you are going to do some thing do it right! Shame on you for not including all of the great works of the best congero that ever lived! That is why I gave it a (4) rating, apart from that the CD is a good investment like all the other recordings from this Master Conguero. It's a must to have for your conga collection. I hope someday they will make a compilation of all his recordings and "Mi Guaguanco" will be included. Buy it you will not regret it. Mongo may you R.I.P

I just bought the CD reissue of this: I've had the vinyl version since the '70's. It's an indispensible recording of percussion virtuousity, and since it's mostly drums (except for the work by Cal Tjader and Paul Horn) it gives Mongo plenty of room to stretch out. Plus it's like a textbook of Afro-Cuban rhythms: rhumba, guaguanco, congobel, etc.

There may be some "spiritual" overtones to the drumming (like there is in almost any music), but I'd say it's mostly secular music intended to let Mongo and his mates tear it up. If you want more specifically religious Cuban drumming, try Milton Cardona's "Bembe", which is Santeria ceremonial bata drumming.