Anthony Braxton Music

You get what you want from this. All of the epic music from Peter Jackson's 2005 King Kong film. Highly recommended to hardcore fans.

While I expected a certain amount of powerful action music--in keeping with the fact that King Kong is an action film--I felt this cd soundtrack focused excessively on action music, and that the touching and beautiful selections in the film's more tender scenes were woefully ignored. They are there, but in what feels to be abbreviated forms, as though the powers behind the cd decided to add them as a brief afterthought. If you found the more sensitive music in the film is what drove you to consider the cd (as I did) then you'll find this cd too abrasive for too long to just enjoy easy listening. The quality of the musical compositions is not lacking--it's good action music--but this is not a cd comfortable to listen to for long periods. If you are producing a back yard play, and need some pounding action music that goes on and on, then this cd is for you. They ought to release a secondary cd that contains only full-scale versions of the beautiful instrumentation present in more sensitive scenes. Now THAT'S a cd I'd enjoy.

After Lord of the Rings collaborator Howard Shore had his fully written score rejected due to the ever popular "creative differences" in Peter Jackson's film, James Newton Howard stepped in and had about a month and a half to write a monumental amount of music. He stepped up to the challenge and wrote a blowout score that awes and amazes at each turn. I can only imagine what kind of score he would have come up with if he had a much longer period of time to write the score, but in any case, he succeeds all the same.
King Kong has an established theme throughout the score, represented by a 7-note motif that is both ominous and bold. It is featured whenever the big ape is on screen, as well as when he is somewhere lurking about on the island. Since the film takes place in the 1930s, Howard wrote some period music in many cues of the first half of the score, which feature appropriate pianos and jazzy woodwinds.
As the crew makes their way to the island, the music shifts into a more ominous and more action-oriented approach, as they try to survive and capture the beast. The music throughout the majority of the second half of the album is awe-inspiring, resilient, and frankly breath-taking. The orchestra is strident, the chorus is bold, and the percussion is propulsive. "Tooth and Claw" is a very impressive action-oriented track with plenty of fast-paced, heavy brass lines, whirling strings, and racing percussion. The "awe-factor" is present in most of the cues, such as "It's Deserted", where you can only imagine viewing the island for the first time as the ship nears its destination.
The grand finale consists of "The Empire State Building" as well as "Beauty Killed the Beast" (not how the Disney film ended as you may recall...). Here the orchestra and chorus give everything they've got, building and building to an emotional and powerful climax as the great beast falls to his demise.
This is one of James Newton Howard's finest works, which proves that he is one of the best composers out there. A highly recommended score with 74 minutes of outstanding music. You would be a fool to pass this one up!!

I watched the Extended Deluxe Edition of King Kong recently. When the opening credits ran I knew I HAD to get the soundtrack. I found it here and ordered it. When I recieved it I was very pleased. It has become one of my favorite scores by Newton Howard.

Not the best score I've ever heard. Certainly not bad, some tracks were very nice. Unfortunately, a good deal of them are too action-oriented for my liking, or simply boring. The best piece of music from the film, the beautifully haunting female chorus played over the spider pit scene (best part of the movie!), is sadly nowhere to be found on this disc. I don't doubt Howard's talent as a composer, but the music for King Kong, sadly, doesn't have the same bite as the movie.