Stan Getz Music

A marvelous compendium of very early Stan Getz at his very Coolest, and Beboping-est taken from at least a half dozen other albums.

Titles come from 1945-1950.

Some of this is on the Roost sessions.

There is a sparkling version of "Too Marvellous for Words" with Stan and Al Haig, Stans best pianist after Kenny Barron.

It ends with the swooningly beautiful title track, Stan with Woody Herman and the Four Brothers doing "Early Autumn", the song really started his career and catapulted him to international attention.

A great price, you'd have to spend $70 to find these songs on the original albums.

Recording quality is mediocre and some of the original albums sound better. But at this price...

A compilation to make a careful organizer crazy: although issued under Stan Getz's name, Stan was actually only a sideman on these sides, which were originally issued under guitarist Jimmy Raney's leadership (4 titles) and Terry Gibbs's (the rest). The Gibbs-led date is from 1949 (his first on record under his own leadership), and features a number of alternate takes. MICHELLE is in two parts, the first featuring Gibbs, the second Getz. It's a ballad, though it's taken just a bit too slowly. Both takes are pretty much identical. T&S is an up-tempo swinger, as is SPEEDWAY - which is aptly named though this one is too fast for its own good (it's a bit ragged and goes by in a blur), though Gibbs handles his part nicely.

The Raney-led session is from 1953 (his first on record as a leader) and contains the better music. SIGNAL is an infectious 48-bar tune (16-bar bridge), taken up-tempo, that grabs you and (fortunately) won't let go. Frank Isola's drumming is excellent here. MOTION and LEE are very similar in theme, though the latter, which is about a minute shorter, takes top honors. Both sessions offer up some terrific small-group modern recordings - great Stan, Raney, and Gibbs. A classic.

A compilation to make a careful organizer crazy: although issued under Stan Getz's name, Stan was actually only a sideman on these sides, which were originally issued under guitarist Jimmy Raney's leadership (4 titles) and Terry Gibbs's (the rest). The Gibbs-led date is from 1949 (his first on record under his own leadership), and features a number of alternate takes. MICHELLE is in two parts, the first featuring Gibbs, the second Getz. It's a ballad, though it's taken just a bit too slowly. Both takes are pretty much identical. T&S is an up-tempo swinger, as is SPEEDWAY - which is aptly named though this one is too fast for its own good (it's a bit ragged and goes by in a blur), though Gibbs handles his part nicely.

The Raney-led session is from 1953 (his first on record as a leader) and contains the better music. SIGNAL is an infectious 48-bar tune (16-bar bridge), taken up-tempo, that grabs you and (fortunately) won't let go. Frank Isola's drumming is excellent here. MOTION and LEE are very similar in theme, though the latter, which is about a minute shorter, takes top honors. Both sessions offer up some terrific small-group modern recordings - great Stan, Raney, and Gibbs. A classic.

A compilation to make a careful organizer crazy: although issued under Stan Getz's name, Stan was actually only a sideman on these sides, which were originally issued under guitarist Jimmy Raney's leadership (4 titles) and Terry Gibbs's (the rest). The Gibbs-led date is from 1949 (his first on record under his own leadership), and features a number of alternate takes. MICHELLE is in two parts, the first featuring Gibbs, the second Getz. It's a ballad, though it's taken just a bit too slowly. Both takes are pretty much identical. T&S is an up-tempo swinger, as is SPEEDWAY - which is aptly named though this one is too fast for its own good (it's a bit ragged and goes by in a blur), though Gibbs handles his part nicely.

The Raney-led session is from 1953 (his first on record as a leader) and contains the better music. SIGNAL is an infectious 48-bar tune (16-bar bridge), taken up-tempo, that grabs you and (fortunately) won't let go. Frank Isola's drumming is excellent here. MOTION and LEE are very similar in theme, though the latter, which is about a minute shorter, takes top honors. Both sessions offer up some terrific small-group modern recordings - great Stan, Raney, and Gibbs. A classic.