Scott Joplin Music

Don't listen to all those elitists who gave Zimmerman a negative review- his playing is so unique and full of emotion. Contrary to what others have said, Zimmerman's tempo is much slower and better than many other artists' tempos. Though he doesn't play everything true to the sheet music, I feel that he wonderfully captures the spirit of ragtime. If you listen to some of Joplin's own recordings (via player piano), you will find that he himself added some jazzy improvisations. Although Zimmerman makes some mistakes, it somehow seems to add authenticity to his interpretation. The bad sound quality also adds this unique feeling of authenticity. Everything--his style, the piano, the sound quality--works together to create a truly wonderful recording. If you want a comprehensive, beautifully played, rendition of Joplin's works, then I highly recommend this box set!

I enjoy the chronologically arrangement of tracks. It's interesting to see the evolution of Joplin's style.

I've always been a fan of ragtime, but not particularly an expert. This artist is either playing a completely faithful rendition of the music, or he stutters sometimes. This does not detract from the music at all, it's probably just the artist's playing style.

The set is jam-packed with pieces I've never heard before, so it was quite an experience. The last disc in particular features an opera-style suite!

Adds welcome diversity to my Classic Rock collection. Understand that this isn't the last word on Joplin - it's more like a really good first. It's not a complete work-up, with quartet accompaniment, like Marvin Hamlisch's "The Sting" soundtrack. It's just Zimmerman on piano, and sometimes he doesn't play so great. I mean, if you compare "The Entertainer" between the two - you'll think you fell off a cliff.

However, it is a complete Joplin - 66 songs, including every major Rag and other stuff, such as waltzes, marches, and pieces of "Treemonisha", his failed opera. What I wanted was a player piano, with a complete set of paper scrolls, you know what I'm talking about? Even if I could find one, I can't afford it. Maybe this is the next best thing?

So I definitely recommend it for the Joplin novice - it's something to strongly encourage. But is this the last Joplin you'll ever buy? I doubt it - it's merely adequate, not great. Joplin for 40 cents a pop, you won't find a better value.

Well done, with the only drawback that Joshua Rifkind is not at the piano. Sometimes the pace is too frenetic.

This is a wonderful collection of Scott Joplin's music. Delightful to own, to play over and over and over.

[Disclaimer: I'm a pushover for wind quintet music. There is something about the uneasy combination of timbres that unfailingly engages my interest and admiration.]

I found myself having trouble getting beyond the first band on this delightful release from Albany Records featuring the playing of a Los Angeles-based wind quintet calling themselves 'Calico Winds.' I kept pushing the repeat button to hear it one more time. It's that rhythmically invigorating and melodic. The music presented here is almost all by Americans, some from among those first conservatory-trained American composers of the 19th-century: William Mason, his nephew Daniel Gregory Mason, and Edward MacDowell. The more recent composers tend to write in conservative style so that the most recent work, 'Sea Sketches' by the only non-American, Briton David B. Chadwick, could be mistaken for something by an early twentieth-century writer. Some of the pieces are skillful transcriptions for quintet: Mason's 'Dance Antique,' that infectious first band I'd mentioned; MacDowell's 'Fireside Tales,' William Grant Still's folk-song based 'Miniatures' and 'Folk Suite,' Scott Joplin's 'Two Rags' ('The Cascades' and 'Maple Leaf Rag'), and the rousing closer, Sousa's 'The Stars and Stripes Forever.' Indeed, the only works originally written for wind quintet are Daniel Gregory Mason's 'Divertimento,' Arthur Farwell's brief and delightful 'Prairie Miniature,' and Chadwick's 'Sea Sketches.' That latter, by the way, has a catchy setting of 'The Sailors' Hornpipe,' another piece I couldn't get enough of.

Calico Winds consists of five women: Eileen Holt Helwig, flute and piccolo; Rong-Huey Liu, oboe and English horn; Rachel Berry, horn; Kathryn Nevin, clarinet; and Theresa Treuenfels, bassoon. I'd never heard of this expert and musicianly group before, although I gather they have made at least one prior recording on the humorously named 'Occasionally Sober' label and containing music from Bach to Zappa. I expect we'll be hearing from them again, if we're lucky.

This is not profound music. This is joyful music. It's worth hearing, and more important, worth coming to love. A real keeper, this.

TT=62:00

Scott Morrison