Jim Hall Music

"All Across the City" released on Concord Records in 1989 is a very fine recording. Jim Hall who is known collectively as the "Godfather of Modern Jazz Guitar" really plays great jazz guitar. His subtle sense of swing, harmony, and melody have made him a legend. You can hear his influence in other jazz guitar masters like Pat Metheny, Bill Frisell, and John Abercrombie. You can probably even hear it in my own playing! Who knows!

I'm not going to talk too much about the music because the music can speak for itself, but let me add that this is a beautiful album. Every tune is just a world of its own. On a special note, Gil Goldstein gives a remarkable performance. His presence on this album gives it a very special feeling.

Pick this album up if you're into jazz guitar and more importantly are a fan of Jim Hall.

Hall's small handful of Concord albums in the 1980s were sort of studio extensions of the sound and approach found on the great trio record "Jim Hall Live!" album from 1975. This, the final Concord session, adds keyboards to the trio sound, but otherwise the record is another mix of standards and originals played in his inimitable style. The 90s saw Hall mix things up with a new concept or unusual grouping of musicians on almost every release; it wasn't until 2004's Magic Meeting that he cut another record with a standard rhythm section where he didn't share the spotlight with a horn player or more elaborate orchestration. Hall usually succeeds on at least a few cuts no matter what his concept or context, but the Concord records are easy recommendations for those who want more of his earlier sound and style that influenced many, many players from the famous to the weekend warriors.

Trivia time: Anyone notice that the cover of this 1989 release is similar to the cover of John Scofield's 1989 "Flat Out", with the difference being that Scofield's cover is shot at night and Sco's rooftop backdrop is grittier and more "urban" feeling (a bit of graffiti on the low concrete ledge is all you see behind Sco, whereas Hall sits in an elegant rooftop garden). I've always wondered if Sco was paying a little tribute, though it could easily be a coincidence or even Hall tipping his hat to John.