Bands Music

Based upon the titles contained herein and having listened to several cuts, I am instantly buying this recording. The late, great Auturo Toscanini once sent his trombone section to listen to Tommy Dorsey, saying "This is the way the instrument should sound." I entirely agree.

Based upon the titles contained herein and having listened to several cuts, I am instantly buying this recording. The late, great Auturo Toscanini once sent his trombone section to listen to Tommy Dorsey, saying "This is the way the instrument should sound." I entirely agree.

This CD is vintage jazz at its best!

The accompanying personnel is a "Who's Who" in jazz, ...with Chu Berry, Joe Eldridge, Scoops Carry, Gladys Palmer, Clyde Hart, Benny Carter, Zutty Singleton, Dave Young, John Collins to name a few.

Several of the cuts, 'Heckler's Hop' 'Florida Stomp' 'Wabash Stomp' were recorded in Chicago and played famously at a jazz venue known as the "Three Dueces." The "Three Dueces" got its name by its location in Chicago, 222 No. State Street, Chicago IL.

Roy Eldridge is quoted as saying, "there was nothing those cats couldn't do ... the most flexible" (Barry Ulanov, 'A History of Jazz 1950). Mr. Ulanov is eloquent, "those of us who heard Roy and his brother Joe and Scoops Carry on altos, John Collins on guitar, Teddy Cole on piano, Truck Parham on bass, Zutty Singleton on drums in that band, remember very well the suppleness and authority with which it played. It makes us starry-eyed about the mythical Golden Age of jazz when we listen to those Vocalions ... styles and ideas ... are not ephemeral values that fade with the passing of a style, an era, or a movement in jazz." (B.Ulanov)

Heckler's Hop -- vintage jazz at its best!

This is the watershed collection of Roy Eldridge's work. His reputation may be built on his live engagements in the small clubs lining 52nd street back in the day, but this is the studio-recorded evidence of those days by which history judges him. It is breathtaking work. In these recordings, Little Jazz is the clearly seen as the bridge between Louis Armstrong and Dizzy Gillespie. Adjectives that could be applied to the work include, but are by no means limited to: frenzied, burnished, controlled, impassioned, funky, cool, red-hot, swinging. --Which is to say the man covers a lot of territory in terms of technique and emotion in this collection.
Heartily unconditionally recommended

This is a wonderful little pastiche from the beginning of the swing era. Benny and his bunch seem to romp and jump through these broadcast pick-ups with all the verve of cat on a hot tin roof. The re-mastering from these old air-checks is superlative and the quality is ten times better than from your old Zenith with all the knobs. Helen Ward sounds youthfully pert with that vivaciousness that helped Benny's early vocals swing. Indeed, this should be a part of any Benny Goodman collection and, for that matter, any collection of the early swing era.