Bands Music

Every selection on this CD is wonderful. I can't get enough of it. My 22 year old son loves it, too, so I bought another copy just for him.

I bought this album years ago, and it continues to blow me away. Be aware that this album truly consists of classical thunder, without any charming little Baroque pieces. I love "Eine Kleine Nachtmusik," but you won't find that sort of thing on this collection. Instead, this is song after song that is loud and boisterous. The selection is marvelous, including some of my personal favorites like Rossini's "William Tell Overture," Copland's "Fanfare for the Common Man," Tchaikovsky's "1812 Overture," Orff's "Carmina burana" and Beethoven's "Symphony No. 5." But many lesser known masterpieces are here, as well, like Rimsky-Korsakov's "Procession of the Nobles" and Tchaikovsky's "Marche slave." Regardless of the familiarity of this music, it's all good stuff. The performances are stellar, and I'd recommend this album to anyone to wants to hear some of most rambunctious music ever composed!!

I remember when I was little, I had this cd, but i lost it. I bought a similiar type of one through TIme Life and decided to try the Classical Thunder one. I have like it so far.

I got this CD when I was around 16 because I loved a lot of the music on this double CD set. As a student pursuing a Music Education major, it has been a great asset for my musically, and just great for listening to. I will drive on short trips and take this with me and blast it louder than the guy in the next car blasting rap music. I also take it skiing as it sets a great tempo down the mountain. This is a great CD for anyone that loves music.

This two CD set is magnificent. I got the set in the early 1990's when it was advertised on television, along with other releases in Time Life's set. I was struck by the interpretations of the conductors. Whenever I hear these pieces now, I judge them against this recording. Amazing selection as well. There are staples of orchestra repetoire, like Beethoven symphonies, but also gems that are not heard very often, like the Rimsky-Korsakov "Procession of the Nobles." A very impressive recording.

I came across this CD (from a "Relaxation" series) by accident and thought, oh no, just another compilation of classical music tidbits---and taken from TV commercials/shows yet---oh, spare me! But how wrong I was. Despite its boast of being, "The Most Popular Classical TV Themes in the Universe" title (and because the price was reasonable for a 2-CD set), I bought the CD and was amazed by the quality of the recordings. I was disappointed when neither the manufacturer nor Amazon.com provided a listing of the artists on the recordings; as after hearing some of the tracks, I wanted to buy the artists' complete renditions. My favorite track on this CD, Debussy's "Clair de Lune," is performed so movingly, so stirringly, so hauntingly, that I wish I knew who recorded it. Not all tracks are arranged for orchestra. An example is Handel's "Largo from Xerxes," which is arranged for harp-and-flute, an arrangement which I found delightful and reminiscent of times in the 18th century when the elite held their salons and provided such music at these events. There is no singing on any tracks; it's pure instrumental. I didn't purchase my copy for "relaxation," as the series promotes, for the CD is just as enjoyable to play anytime, anywhere, and especially with a quality headset!

I recently received this as a present but I was already familiar with many of these recordings, having owned the complete versions of the works presented. Yes, these are great recordings but if you settle for this compilation you will be missing out big time on great music. I own Fennell's recording on the Holst suite--while the March from the suite is very good, you will miss out on the beautiful 'Song Without Words' and the 'Fantasia on the Dargason,' which are the seond and fourth movements of the suite, respectively. If you get the original CD from which this movement was taken you will be able to enjoy the wonderful playing of members of the Cleveland Orchsestra as they play Holst's First suite and a wonderful rendition of Handel's Fireworks Music.

Maazel's Pictures at an Exhibition is excellnt, precise with excellent blends and fantastic orchestral playing, but you can hardly feel the power of the Great Gate of Kiev without the promenades and pictures that preceed it--you loose the whole sense of climax and fulfillment following the half hour of difficult music that preceeds the Great Gate. Beethoven's Emperor concerto is top-notch music but I think you might rather hear the second movement between the first and third movements which are full of powerful orchestral playing and keyboard virtuosity. Robert Spano's recording of Scheherazade that was released just a few months ago is brilliant. It's his first recording with the Atlanta Symphony and it's great--and you should own the complete thing which comes on a CD with the beuatiful Russian Easter Overture.

Spend some time looking for these complete recordings and you will be rewarded. What makes the compilation even worse is that in many cases the CD does not even present a full movement but just a part of a movement.

As I said, I own many of these individual recordings and they are all great: Telarc captures the best musicians at their best. Having two or three CDs from which these excerpts were taken is much better than owning this compilation. I highly recommend Fennell's Holst (Telarc - #80038), Maazel's Pictures (Telarc - #80042), and Spano's Scheherazade (Telarc - #80568), instead of this disc. Rachmaninoff's Second Sonata and Sibelius' Second Symphony are great but these are not my preferred recordings (find Van Cliburn's Rachmaninoff and Maazel's Sibelius), and you can do better by swapping some other performers as well.

We were concerned after reading some other reviews that this version of Pomp and Circumstance wouldn't be the correct movement or the full length version. This selection has the song for graduation AND the extended length, so it gives plenty of time for processionals. If this is what you need, this is the CD to get.

The samples are too short and the quality leaves a lot to be desired. Having said that the choices are wonderful and the price is great. If you're looking for a overview of the best of classical music then this is for you. However if it's quality you're looking for then spent the extra money and look at other choices.

"Simply the Best Classicial Anthems" is exactly what the title indicates. This is a collection of what the CD says are "36 of the most powerful classics on Earth". My review of this CD comes from someone who is a Classical Music Novice. I'm familiar with some of the composers, musical styles, musical periods, and some of the terminology that is key to understanding Classical Music. By no means am I an expert. I have basically popped in this two CD collection into my player and have enjoyed the sounds it produces. If you are in the same category as I am or maybe just wanting to be introduced to Classical Music - this is going to be a very good CD to have in your collection. For the more seasoned Classical Music fan, this could be either enjoyable or overkill.

The CD contains 36 songs composed by the legends of Classical Music Composers from the past. The bulk of the works come from Composers in the the 19th and 20th century, but there are works from the Romantic and Classical eras of the late 18th and early 19th century (such as Beethoven and Mozart). In general you will find most of the major names of Composers you would expect to find - names such as Tchiakovsky, Handel, Verdi, Strauss, Elgar, and Bach are all there. The only major composer who I would have expected to see on this CD that I don't see is Frederic Chopin. The composers of the late 20th century are not included on this collection - so you won't see Leonard Bernstein or John Williams on this set. While these Composers are excellent, I do think style of the tracks on this collection pre-date their style.

The recordings themselves are done by the great Orchestras around the world. For the most part, European Orchestras were used to deliver the tracks. There are a few exceptions: The Chicago Symphony Orchestra delivers "The Ride of the Valkyries"; The Toronto Symphony Orchestra delivers "Dance of the Knights"; and the Israel Philharmonic Orchestra delivers Tchaikovsky's "1812 Overture". Some of the European Orchestras that are well known include: BBC Symphony Orchestra, London Philharmonic, Bolshoi Symphony Orchestra, Choeur Philhamonique de Strasbourg, and more. Also included are performances by well known names in the Classical space such as Marie-Claire Alain (Bach's "Toccate and Fogue in D Minor" and Saint-Saens' "Symphony for Organ No 3"), Piero Toso (Vivaldi's "Allegro From Spring - Four Seasons"), and Placido Domingo appears on Puccini's "Nessun Dorma".

The 2 Disc collection contains a total of over 2 hours and 6 minutes of music. The selections that are included in the set will sound very familiar to you when you play them. You probably have both heard and seen the names of tracks such as: Oref's "O Fortuna"; Copland's "Fanfare for the Common Man"; Beethoven's "First Movement from Symphony Number 5" and "Ode To Joy"; Elgar's "Pomp and Circumstance", and Tchaikovsky's "1812 Overture". Many of the other tracks will also sound familiar, but maybe not so much by name - such as Wagner's "The Ride of the Valkyries", Strauss' Also Sprach Zarathoustra"; Grieg's "Piano Concerto", and "Dies Irae" (versions included by Mozart and Verdi - you can compare the two and judge for yourself). As for the Discs themselves, I think most of the casual fans will like the selections on Disc Two better, but Disc One is still very good. On a sidebar, the Israel Philharmonic's version of "1812 Overture" is by far the best you will hear - particularly at the end, the booming drums create almost a 3 dimensional vision of fireworks being launched into the air.

There one big negative on this collection is some of the recording quality. The clarity of the recording is there, but some of the recording levels leave a lot to be desired. On some of the softer parts, it is barely audible without significantly turning up your volume. This is very evident on "O Fortuna" where you will hear almost dead silence during from the 30 second to 1:30 mark of the track unless you crank your volume up. Same with the first few seconds of Strauss' "Also Sprach Zarathoustra" and Tchiakovsky's "1812 Overture". When the volume is cranked up you will hear them - but then the other sections will be way too loud. I'm surprised with modern technology that this couldn't be addressed better.

The liner notes are pretty thin. You do get the Composers, Performers/Orchestras, and recording dates. There isn't any more details than that and you won't learn anymore insight on the tracks than this information. Despite some of the shortcomings of the liner notes and recording volume, I still think this is an excellent place to start and do recommend this CD if you are a novice to Classical Music and are looking for a great place to start listening to what the Classics have to offer.

Simply The Best Classical Anthems

Simply The Best Classical Anthems is a compilation album of `36 of the most powerful Anthems on Earth'. But, it is also said to be something else. It is said to be a gateway. A gateway to another world. A world where our imagination can run free without being shackled down by any borders or boundaries or rules or limits. A world that we have all seen or perhaps more accurately have all heard of but for many of us a world that we have never dared to enter. Never dared to enter because of fear. The fear of being ostracised and shunned by our community.

THE MYTH
`Classical Music!', I can hear some of you cry. `That isn't another world. That's just music for the upperclass, the high-brow, and the pompous.' Surprisingly, I too felt this way for a long time until I accepted the invitation made to me by Simply The Best Classical Anthems. I always felt that Classical Music was nice to listen to as background music for a Levis ad or a Car ad but I would consider people strange if they chose to hear it on its own. However, after having listened to this album I realised how wrong I was in my assumptions.

THE TRUTH
Music as with all forms of amusement helps to take you away from where you are now. It helps to relax you when you are stressed with anger; it helps to give you strength when you are vulnerable; it helps to keep your spirits up when you have faced tragedy or loss. It helps. And, for me the type of music that best conjures up the most passionate emotions (love, hate, courage and anger) at our most testing times is Classical Music.
How? I don't know.
Why? I don't know.
I can only promise you that in my experience it does.

THE CHEST
The album, in visual terms, is very difficult to overlook amongst the plethora of records that may surround it. This is because the album has a very distinct purple sleeve cover. Not any kind of purple mind you but the Cadbury's kind of purple. The kind of purple that carries with it an invitation. An invitation that if accepted promises you a treasure inside.
And since, I have always enjoyed the treasure within the purple Cadbury's Dairy Milk wrapper, I asked myself why would an album carrying the same invitation promise to be anything different? Thus, I parted with my tuppence worth and went back home to open this purple chest of promised treasures.

THE PROMISED TREASURE
As you may have guessed, the contents of the album are somewhat different to the contents of a Cadbury's bar. When I opened the album, I was presented with two compact discs. At first glance, there did not seem to be anything special about them. They were just your average, everyday, run of the mill compact discs. To tell you the truth, I was a bit disappointed because I suppose I had hoped for something more.
However, looks can be deceptive. (Afterall, a Cadbury's Dairy Milk does not seem very appetising until you taste it!) And, also come November each year, I am always bemused and surprised at how the shabby contents of a cardboard box can both light up the sky and light up the faces of the neighbourhood. Thus, I pushed aside my assumptions and I ignited the discs (not literally of course, I just pressed the play button on the CD player). And, I let the fireworks begin.

THE KEY
From the very beginning, you will feel like you have unlocked the doorway to something special. And, after a full two hours of listening to both discs, you will feel like you have been taken out of this world and transported to another. Welcome to the world of Classical Music.

GUIDANCE
In the beginning, continue to listen to both discs in one go (i.e. one after the other). After a while, you will know which tracks you enjoy listening to the most. For those tracks you enjoyed the most make a promise to yourself that you will listen to the whole of the piece from which that track came from.
Good Luck on your quest if you choose to accept it.
Ride amongst the Valkyries, listen to the Flight of the Bumblebees, and use The Planets to keep you on the path.

I am not a good reviewer because as with all of my reviews I refuse to comment too much about what is inside the product but rather more about what effect the product has had on me. (Me, me, me. Vain & Egotistic, I know, so my friends and family keep telling me). But, I just want to cause a raucous about the product, enough not to spoil but enough of a raucous to let you experience it for yourself.

So my final words are:
Simply The Best Classical Anthems is an invitation. An invitation to the world of classical music. A world where you can begin a never-ending quest of curiosity. A curiosity that will always be rewarded with fulfilment.

Do you accept such an invitation?

Hope you found this review helpful.

This is a good sampler, since it covers what you would want in a classical music CD. Looking at the tracks, it has the classic hits, such as "Ride of the Valkyries," "Toccata and Fugue," "Fanfare for the Common Man," "'Jupiter' from `The Planets,'" "Eine Klein Nachtmusik," and "Hallelujah Chorus."

There are also some new pieces that I have fallen in love with, such as "The Young Person's Guide to the Orchestra," "'Promenade' from Pictures at an Exhibition." The compilers did an interesting double take by including both Verdi's and Mozart's "Dies Ire." I'm not sure which is better.

This music is good for the brain and good for the soul. There is a power and passion that the blaring and glaring music that makes up most of the FM band. I'm reminded of the religious man who said that there is no music in hell. Probably because they wouldn't appreciate it there.

These CDs has a good transfer from the analogue tapes; there is no hiss or fuzziness. The packaging hearkens back to 2001: A Space Odyssey, with the black monolith. And appropriately, "Also Sprach Zarathustra" is the opening track on Disk 2.

Dolby Surround - Surround Spectacular - The Music / The Tests
I am happy with the product and was also happy with the delivery time.

Excellent turn around in getting the product. Very quick in response time. Good product.

Thanks Again,

Peter

As a music teacher, I'm wondering about the very critical reviews about this CD. What ARE they thinking? You are supposed to MARCH to these songs - not run to them! I hear great intonation and suitable tempos to this music. The phrasing is crisp and the rhythms precise. As to taking liberties with 1812, even the master composers did similar practices. The music "flows." This is a patriotic album that you will enjoy!

This CD is a great collection of classic American tunes. Listening to it really makes you proud to be an American and it puts you in a patriotic mood.

I strongly disagree with some of the other reviews here and I found the quality to be great, along with the selection of songs. BUY THIS CD. YOU WON'T BE SORRY!!

What could have been a great album of patriotic
songs is completely ruined because of brutal
editing and may I even say deception. I almost
never return a CD, but I returned this one. And
sadly because I found the sound quality very good.
Both on the outside track listings and on the inside
pullout, there is no mention that the tracks are
excerpts. Most leave out entire strains or repeats.
But the worst offense has to be the "1812 Overture".
I was excited to be purchasing an album with this
on it. But what I got was not even excerpts from
this piece. "excerpts from" usually implies that
a specific movement is presented. But this piece
is totally mutilated. Three measures are played,
five measures are omitted, two more measures are
played, etc. If Tchaikovsky were around he'd have
good cause for a lawsuit. Pleeeaasse, don't support
a product that does injustice to the composers and
does not truthfully describe the product's contents!!!

I completely agree with the two pans by the reviewers above -- the arrangements are completely inappropriate for the music. These pieces should be sprightly and upbeat -- instead they are schmaltzy and lethargic.